![]() adds a certain restlessness, certain oblique atmospheres. And for the ears, another enchanting Nino Rota music score in which the composer uses a jazz main theme played with electronic instruments, and a mixture of singing voices, waltzing passages, sound effects and even some pseudo-Asian music to enhance Fellini's colorful characters.įellini: "I have made Giulietta in color because it is a story to which color. The photography, production design and costuming makes this Fellini film a stunning feast for the eye. It featured typical Fellini mannerisms: "that cautious, childishly excited way of his of moving through a world of dreams, splendidly illuminated by the photography of Gianni Di Venanzo (who was one of the great directors of photography of Italian cinema), in whose hands colors shine like glossy covers, acute as those of a trichromatic print." A film requiring viewer to delve into woman's psyche via a rash of symbolism counterbalanced with rich visual delights."Īlthough not a huge hit on release and considered not one of his best films, but to devout FF fans, it was a rewarding experience and considered his most "personal" film. ![]() "Juliet of the Spirits" (1965) was Fellini's first full-length color film and is a long, complex film, probably best summed up by Leonard Maltin as "Surrealistic fantasy triggered by wife's fears that her well-to-do husband is cheating on her. Multiple awards including Academy Awards for "La Strada"/ "Nights of Cabiria"/ "Federico Fellini's 8 1/2" and "Amarcord" plus a Special AA honoring the body of his work., making him, alongside Ingmar Bergman, as the most acclaimed European filmmakers of all time. Film lovers throughout the world know Fellini's visionary works through some of the most important and successful films made in Italy from the early 1950s to the late 1970s. Multiple awards including Academy Awards for "La Strada"/ "Nights of Cabiria"/ "Federico Fellini's 8 1/2" and "Amarcord" plus a Special AA honoring the body of The fabulous world of Federico Fellini is a glorious mixture of fantasy and reality, of joy and pathos above all, it is marked by a tremendous, uninhibited vitality. ![]() On March 29, 1993, the Academy of Motion Picture Arts and Sciences awarded him a lifetime achievement Oscar, “in recognition of his place as one of the screen’s master storytellers.The fabulous world of Federico Fellini is a glorious mixture of fantasy and reality, of joy and pathos above all, it is marked by a tremendous, uninhibited vitality. His films grew increasingly to embrace a proliferation of themes, deliberate artifice and the complete erasure of boundaries between dream, imagination, hallucination and reality. Initially associated with neo-realism, Fellini’s work evolved over the course of the 1960s toward a unique approach related to European modernism, a movement associated with Ingmar Bergman, Michelangelo Antonioni, Alain Resnais, Jean-Luc Godard and Andrei Tarkovsky. He won the Palme d'or at Cannes in 1960 for La dolce vita, and took home the Oscar for Best Foreign-Language Film four times ( La strada, Nights of Cabiria, 8 ½ and Amarcord), a record he shares with his compatriot Vittorio De Sica. Federico Fellini was one of the greatest Italian writers and directors of the 20 th century, and one of the most illustrious filmmakers in the history of cinema.
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